Read: [next] [previous] messageRe: [d@DCC] TPM and PCsFrom: Russell McOrmond <russell _-at-_ flora.ca> On 10-06-06 12:57 AM, Keith Rose wrote: > I'm not so sure. The interoperability exception does use the phrase > "computer program", and to a software developer that might seem to > exclude pure data. But keep in mind that the audience of a statue is > a court, not a software developer. Statutory interpretation involves > more than conventional dictionary definitions. I agree that definitions seem to be "flexible" in this political/legal climate. Just see the re-definition of the word "copyleft" by the Access Copyright crowd... That said, your note gave me a waking nightmare. "Your honour, to prove that section 41.12 of the Canadian Copyright act does not apply to the scenario that the defendants are claiming, I want to use a few props. I am holding up 4 things in my hand. In one hand is ..." (Rest is in http://flora.ca/own ) In other words, all that needs to be done is convince the judge that "the computer program" which can be manipulated to be made compatible under that exemption, and "the non-computer program copyrighted work" which the technical measure is applied to are two different things. > system ..." I think one could easily make the argument that metadata > instructions to control the operation of a DRM system meet that > definition. (Take the following with a grain of salt. Intended largely as humour) We would have to find a judge that could be convinced that "the DRM system" is one entity. That same judge would effectively need to be convinced that the content was not licensed to be delivered to the audience member, but to the DRM provider which exists as a system. Then the question comes: Is the DRM provider the infringer and the audience the contributor, or the other way around? Is the DRM provider guilty of copyright infringement (violation of the license), while the audience in breach of a contract with the DRM provider? Will the provincial court analysing the contract recognize the circumvention of the technical measure as a breach of contract, given the device-shifting you were attempting to do would have been lawful under 29.22 if the audience member was a party to the license offered to the DRM provider. The case might hinge on 29.22(b), and whether the audience member, not licensed direcly by the copyright holder, could still convince the judge that they "legally obtained the copy of the work or other subject-matter". > Of course that is not to say that I don't agree that explicit language > would be preferable--clearly it would. That might even be a winnable > fight in the policy arena. I really think we need to get amendments tabled and agreed to by the parties representing a majority that circumvention for interoperability (locks on content) and circumvention for protecting property rights/security/etc (locks on devices) for non-infringing purposes is not an infringement of "copyright". Best is a simple tie of anti-circumvention to infringement, which might be what the Liberals already want to do, but otherwise there are other exemptions that could be used as well. Multiple amendments should be proposed so that we have multiple chances to mitigate this harm. -- Russell McOrmond, Internet Consultant: <http://www.flora.ca/> Please help us tell the Canadian Parliament to protect our property rights as owners of Information Technology. Sign the petition! http://www.digital-copyright.ca/petition/ict/ "The government, lobbied by legacy copyright holders and hardware manufacturers, can pry my camcorder, computer, home theatre, or portable media player from my cold dead hands!" _______________________________________________ Discuss mailing list Discuss@list.digital-copyright.ca http://list.digital-copyright.ca/mailman/listinfo/discuss Read: [next] [previous] message List: [newer] [older] articles You need to subscribe to post to this forum. |